Based on a true story about the persecution and torture of Japanese Christians and foreign missionaries in 1600s Japan, Silence is a powerful book about faith (and doubt), truth, and the human spirit. What will make one person stay true to his faith, even under unspeakable torture, while another one does not? Why is God silent during suffering? These are the questions the book raises, and some would say it gives no clear answers. It is easy to say from our comfortable Western homes that we would never deny God under duress. But the Bible states that even Peter, a much loved disciple, denied Christ. What does it truly mean to stay faithful to God?
Repeating the prayer again and again he tried wildly to distract his attention; but the prayer could not tranquilize his agonized heart. ‘Lord, why are you silent? Why are you always silent…?’
This book powerfully affected me, and I’ve already sought out more books by this Japanese Christian author.
It has been announced that Martin Scorsese will be making this into a movie slated for 2010.
I read this book for the Japanese Literature Challenge and the Notable Book Challenge. This is my first Murakami. I wasn’t sure what to expect, and even though I am only rating this a 3.5, I will definitely read more by this author. I found his writing style to be very unique.
The book covers the encounters of several “night people” on one particular evening from 11:56 pm to 6:52 am. All of the characters in the book have some interconnection. I most enjoyed the story of the two sisters, Eri and Mari. One of them can’t sleep and the other one won’t wake up. I also enjoyed the philosophical discussions between Mari and Takahashi. I didn’t really get what was going on with the TV/white noise thing, but it was interesting. Does anyone have a favorite Murakami? Although I might not get to another one of his until next year, I’d like to read more.
I thought that today I’d just share some lines from each of the stories I read this past week. I’m still reading from The Collected Stories of Carol Shields.
“Poaching” – A couple likes to pick up hitchhikers and listen to their life stories.
Behind each of the people we pick up, Dobey believes, there’s a deep cave, and in the cave is a trap door and a set of stone steps that we may descend if we wish. I say to Dobey that there may be nothing at the bottom of the stairs, but Dobey says, how will we know if we don’t look.
“Scenes” – Scenes from a woman named Frances’s life.
These are just some of the scenes in Frances’s life. She thinks of them as scenes because they’re much too fragmentary to be stories and far too immediate to be memories. They seem to bloom out of nothing, out of the thin, uncolored air of defeats and pleasures. A curtain opens, a light appears, there are voices or music or sometimes a wide transparent stream of silence. Only rarely do they point to anything but themselves. They’re difficult to talk about. They’re useless, attached to nothing, can’t be traded in or shaped into instruments to prise open the meaning of the universe.
There are people who think such scenes are ornaments suspended from lives that are otherwise busy and useful. Frances knows perfectly well that they are what a life is made of, one fitting against the next like English paving stones.
“Fragility” – A couple prepares to relocate a few years after their son died.
Our plane seems a fragile vessel, a piece of jewelry up here between the stars and the mountains. Flying through dark air like this makes me think that life itself is fragile. The miniature accidents of chromosomes can spread unstoppable circles of grief. A dozen words carelessly uttered can dismantle a marriage. A few gulps of oxygen are all that stand between us and death.
“The Metaphor is Dead–Pass It On” – A professor’s discourse on language.
“The metaphor is dead,” bellowed the gargantuan professor, his walrus mustache dancing and his thundery eyebrows knitting together rapaciously. “Those accustomed to lunching at the high table of literature will now be able to nosh at the trough on a streamlined sub minus the pickle. Banished is that imperial albatross, that dragooned double agent, that muddy mirror lit by the false flashing signal like and by that even more presumptuous little sugar lump as. The gates are open, and the prisoner, freed of his shackles, has departed without so much as a goodbye wave to those who would take a simple pomegranate and insist it be the universe.”
This one goes on to talk about other grammar topics in a similar manner. I’m not sure what it all meant, but I did enjoy it!
Today I read almost all of Shusaku Endo’s Silence. I love it. It’s about Christian missionaries in 1500s Japan who are heavily persecuted. Here’s a quote:
“I cannot bear the monotonous sound of the dark sea gnawing at the shore. Behind the depressing silence of this sea, the silence of God…..the feeling that while men raise their voices in anguish God remains with folded arms, silent.”
I hope to finish Silence on Monday and then finish up Independent People by Wednesday. That will complete both the Japanese Literature Challenge and the From the Stacks Challenge.
Today I also watched Harry Potter and the Chamber of Secrets. It was okay, but I’m wondering if I just can’t enjoy the movies that much because I’m watching them so soon after reading the books. I’m actually contemplating watching The Prisoner of Azkaban before I finish the book (gasp!) to see if I’ll enjoy the movie more that way.
I had internet problems from my provider today and didn’t get it back until late. That drove me crazy. I’m not used to being without it!
The Yacoubian Building by Alaa As Aswany
The Poisonwood Bible
Morality for Beautiful Girls by Alexander McCall Smith
The Kalahari Typing School for Men by Alexander McCall Smith
BLEST pair of Sirens, pledges of Heav’ns joy,
Sphear-born harmonious Sisters, Voice, and Vers,
Wed your divine sounds, and mixt power employ
Dead things with inbreath’d sense able to pierce,
And to our high-rais’d phantasie present,
That undisturbed Song of pure content,
Ay sung before the saphire-colour’d throne
To him that sits theron
With Saintly shout, and solemn Jubily,
Where the bright Seraphim in burning row
Their loud up-lifted Angel trumpets blow,
And the Cherubick host in thousand quires
Touch their immortal Harps of golden wires,
With those just Spirits that wear victorious Palms,
Hymns devout and holy Psalms
Singing everlastingly;
That we on Earth with undiscording voice
May rightly answer that melodious noise;
As once we did, till disproportion’d sin
Jarr’d against natures chime, and with harsh din
The fair musick that all creatures made
To their great Lord, whose love their motion sway’d
In perfect Diapason, whilst they stood
In first obedience, and their state of good.
O may we soon again renew that Song,
And keep in tune with Heav’n, till God ere long
To his celestial consort us unite,
To live with him, and sing in endles morn of light.
For the LORD God is a sun and shield; the LORD bestows favor and honor. No good thing does he withhold from those who walk uprightly. (Psalm 84:11, ESV)