Masterpiece
*****
Excellent
**** 1/2
Very good
****
Good
**** 1/2
Just okay
***
Not for me
**
Definitely not for me
*

Netflix Net-a-thon (TSS)

(This post is book-related as the movies I’ve watched have mostly been book adaptations.)

Anyway, I thought my internet provider was going to start limiting my monthly usage to an unreasonably and ridiculously low amount (5 GB – are you kidding?) in January, so in December I started my own Netflix Net-a-thon and started watching as much stuff as I could ‘instantly’ online.  It’s unlimited through Netflix but of course not necessarily through your internet provider.  I keep going to my provider’s site to see if they’ve implemented the limit, but they haven’t yet so I keep on expanding my ‘instant’ watching.  Let me tell you, I’ve watched some gems!

Where to start?  How about:

Bleak House by Charles Dickens – 450 minutes – A+

Wives and Daughters by Elizabeth Gaskell – 375 minutes – A

The Tenant of Wildfell Hall by Anne Bronte – 159 minutes – A

Where Angels Fear to Tread by E.M. Forster – 112 minutes – B

Our Mutual Friend by Charles Dickens – 351 minutes – A-

I really adored all of these, but especially Bleak House.  Excellent!  Where Angels Fear to Tread just felt like it had an abrupt ending, but perhaps it’s because the other ones I viewed were so long and well-developed.

I also viewed two Japanese language films because I’m doing the Japanese Literature Challenge.  I love foreign films.  I started watching them when my kids were small and would be noisy playing whenever my husband and I would rent DVDs.  The kids could be as loud as they wanted to when we were watching the subtitles!  I truly hate dubbing.  I want to hear the original language of the film.  I don’t mind sub-titles at all.  Hearing the original language is part of what makes foreign films so wonderful.

The two I viewed:

After Life -118 minutes – A
Last Life in the Universe – 103 minutes – B+

In After Life, after they die, people go to what looks like an abandoned school of sorts and they get to choose one memory of their lives to be re-enacted.  This is a slow, but beautiful movie.  I’m just the geeky sort to love slow, thoughtful movies, though, so I loved it.

In Last Life in the Universe, a Japanese neat-freak librarian is living in Bangkok and is constantly thinking of committing suicide.  After a tragic event, he meets a Thai girl who is a total slob.  Opposite attract, though, right?  Very weird but interesting movie.  It would have received an ‘A’ except there was quite a bit of bad language.  In Japanese, Thai, and English.

I’m really having fun with these and will probably be watching more.  I’ll keep you posted with any interesting titles.

Mad Shadows

madshadows1.JPGThis was Canadian author Marie-Claire Blais’s first book. It was published in 1959 and translated from the French by Daphne Marlatt in 1960. Blais was a winner of the French language Governor General’s award in 1996 for Soifs.

Apparently this was made into a film last year with its French title, La Belle Bête. I wish they would have kept this title, The Beautiful Beast, for the English version of the book rather than using Mad Shadows. The Beautiful Beast is much more fitting.

She thought of the approaching marriage of this pair of dolls, a male doll and a female doll. She would have to live in the midst of this depravity-the artificial depravity of faces in the movies. How sad, she thought, they have no souls.

This is a story of a very dysfunctional family. Louise is a beautiful, but aging mother who is trying her best to hold on to her beauty. Aside from the usual ways, she also does this by nearly worshipping her son Patrice, who is beautiful but retarded. She sees her own beauty in him and thus is blind to his mental condition. In contrast to her extreme over-affection for her son is her disdain for her daughter Isabelle-Marie. She is not loved by her mother simply because she is not beautiful. This sets up a series of events that is catastrophic for the family.

To be frank, I read this book because it was short (130 pages), and I could use it for the Canadian Challenge. While not ‘enjoyable’ because of the subject matter, it was thought-provoking, and I’m very glad I did read it. I would recommend it to anyone, not just those participating in the Canadian Challenge.

1959, 130 pp.

Rating: 4

Friday Foreign Film Review

Jean de Florette/Manon of the Spring
Adapted from Marcel Pagnol’s novel Manon des Sources

Actors: Yves Montand, Gérard Depardieu
Director: Claude Berri
Language: French
Rated: PG for both
Length: 233 minutes combined

Words cannot describe how much I love these films, which really must be seen together. The review below from Amazon sums up the storyline. The emotional impact these films had on me was huge. They haunted me so much I couldn’t sleep the night I watched them. I thought about them for weeks afterwards and still have even throughout the years. The cinematography is gorgeous (it’s France!), the acting is superb, and you will never forget the characters you will meet or the fate that befalls them. Available through third party sellers on Amazon.com or through Netflix.

#94 of the Arts and Faith Top 100 Spiritually Significant Films

Rating: A+

Editorial Review ~ Amazon.com ~ A truly impressive French film destined to become a modern masterpiece, Jean de Florette is an evocative adaptation of the highly regarded French novel. Two 1920s farmers engage in a bitter rivalry as one tries to tend to a plot of land and the other deviously undermines his efforts in order to conceal a valuable spring. The peasant farmer (Gérard Depardieu) who comes to the countryside to tend the land he has inherited is a naive and trusting soul seeking only to provide for his wife and daughter, while his neighbor (Yves Montand) is intent on doing whatever he can to discourage and demoralize the farmer so that he can take the land for himself. This simple tale unfolds in a wrenching fashion to a tragic conclusion, bringing forth questions about human nature and the prevalence and price of greed. Along with its follow-up, Manon of the Spring, this film will leave an indelible impression on anyone who sees it. –Robert Lane –[This text refers to the VHS Tape edition.] Officially licensed South Korean release features original FRENCH audio with Optional Subtitles in English, French, Spanish and Korean.