I finished Dracula on audio this week and loved it. Now my sons and husband are listening to it as well. The unabridged edition, of course. It is creepy and scary, and I normally don’t like creepy and scary, but Bram Stoker’s novel is so well done and, obviously, the beginning of it all. I’m thinking of getting this annotated edition at left that comes out on October 13. It even has an introduction by Neil Gaiman. I’ll probably use this edition for a future re-read.
We started to watch the movie starring Gary Oldman, but it wasn’t appropriate for kids (my kids at least) so we quit. I still may watch it at a later date. I would love to see a modern version that was faithful to the book.
Something that surprised and pleased me while reading the book was the strong Christian faith of some of the characters. I didn’t expect that at all, and I do wonder about Stoker’s own beliefs. He was rumored to have been part of a secret, magical order that included the occultist Aleister Crowley.
Also, I read on Publisher’s Weekly that Bram Stoker’s great-grandnephew Dacre Stoker and Dracula documentarian and historian Ian Holt are going to be writing Dracula: the Undead. The publisher will be Dutton, and it is scheduled to be released in October, 2009.
1897, 400 pp.
Darkness Visible
The continuation of Maus, and subtitled And Here My Troubles Began (From Mauschwitz to the Catskills and Beyond), Maus II is every bit as outstanding as Maus, and the two books really should be read together. In this book we learn more about the end of Vladek’s life, and one of the questions that is posed from the book is:
Brilliant. Powerful. Poignant. Intensely personal. In graphic novel format and the winner of a Pulitzer Prize Special Award in 1992, Maus is Vladek Spiegelman’s story of his survival of Auschwitz during World War II. It is also a story of the father-son relationship between Vladek and Art. In this first book, Art interviews his father about his intense past. Each nationality is represented as a different animal. The Jews are mice, the Germans are cats, and the Poles are pigs. We not only see the absolute horrors of Auschwitz from a survivor’s viewpoint, we also see one survivor’s son deal with the guilt of just being the son of a survivor.
The 2008 Newbery award winner, Good Masters! Sweet Ladies!, is by Laura Amy Schlitz. The book is subtitled Voices from a Medieval Village, and contains points of view from the blacksmith’s daughter, the tanner’s son, the falconer’s son, the glassblower’s daughters, among many others. I didn’t like it at all at first, but by the time I got to the story about a shepherdess singing to a grieving ewe, I was enjoying it. The illustrations by Robert Byrd were excellent.
