aka Nirgendwo in Afrika
Winner, Academy Award Best Foreign Language Film, 2002
in German, Swahili, and English; with English subtitles
based on the autobiographical novel Nowhere in Africa by Stefanie Zweig
My grade: A
In the beginning of the movie, it is 1938, and Walter and Jettel Redlich and their young daughter Regina have fled Nazi Germany for Kenya. Adjusting to their new home is a struggle, particularly for Jettel, who yearns for her comfortable life back in Germany. It is their daughter Regina who thrives in Kenya. Her relationship with the people, especially their cook Owuor, is very special. The family still has problems, though, even in Africa, and the strain is evident in Walter and Jettel’s marriage. Knowing the unthinkable has happened to their loved ones in Germany is especially difficult on both of them.
After the war is over, the family must decide whether to stay in Kenya or return to Germany, or even whether or not to remain a family. The film is a realistic, astounding portrait of Jewish refugees during WWII.
Seeing the film definitely made me want to read Zweig’s book. There is also a sequel, Somewhere in Germany, that I’d like to read as well.
“Listen well, my dear, listen well! The sinner, which I am and which you are, is a sinner, but in times to come he will be Brahma again, he will reach the Nirvana, will be Buddha—and now see: these ‘times to come’ are a deception, are only a parable! The sinner is not on his way to become a Buddha, he is not in the process of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha. The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.—These, oh Govinda, are some of the thoughts which have come into my mind.”
Ummm, no. I’m afraid I can’t quite agree with this philosophy. However, I am always glad I’ve read books like this so I can be knowledgeable about the ideas they espouse. I’ve long wanted to read more by German authors so that was a plus as well. In addition, I can also count it for the 1001 list. So although I did not care for the philosophy of the book, it did meet several of my goals.
I liked The Reader more than I thought I would considering one of the themes. I didn’t know about the p*doph*lia aspect of it until the movie came out. I’ve wanted to read this book for awhile because it’s German, and I’ve also looked forward to the movie because I love Kate Winslet. I saw an online interview with Winslet in which she questioned whether or not the age of 15 was really still p*doph*lia. And while I agree that the age of 10 is in a different category than the age of 15 when it comes to s*x*ality, I still believe what Hanna did with Michael was wrong, and I believe that both the author and the narrator of the book do as well.
Of course, Hanna’s wrongs and shortcomings go far beyond her relationship with Michael, and those themes are of extreme interest as well. This would be a great discussion book, and I can definitely see why it would be great for book clubs. Have you seen the movie? If so, what did you think?
1995, 1997 for the English translation; 224 pages
4/5
Unfortunately, it’s been awhile… I’ve been reading but for some reason am struggling to write any reviews lately. I’ve also been succumbing to a guilty pleasure of mine — foreign films. I’m in love with Netflix instant viewing and can’t get enough of it right now. Also, I’ve had some DVDs on my shelves for awhile that I’ve finally made time for as well. So, up first is what I’ve been reading and hope to finish by January, and then on to some short movie reviews.
I finally finished Thousand Cranes by Nobel laureate Yasunari Kawabata. It’s a short book, but for some reason I couldn’t rip right through it like I usually do with shorter works. It’s about a son whose dead father’s ‘women’ insert themselves into his life. A tea ceremony also had quite a bit to do with the story, but of course I couldn’t quite fully understand the cultural significance of that part.
I’m almost done with Fugitive Pieces by Anne Michaels, which I read to fit into the Canadian, 1%, Book Awards, and Orange January challenges. (I’m a master at overlapping.)
I’ve also started Kafka on the Shore by Murakami to try to fit in one more Japanese title before the end of January. It’s also on the 1001 list.
Now on to my movie madness… With the exception of the first title, all of these are slow character movies. I happen to love slow character movies, so your mileage may vary on these if you don’t have similar tastes.
Lola and her boyfriend Manni must get 100,000 Marks before a certain time or Manni’s probably dead. I’ve had this one on my shelf for awhile, and with great music, dialogue, and action, it’s going to stay there!
~
(Kinamand is Chinaman in English) This one really surprised me. Very touching. Keld’s wife divorces him and he marries Ling solely so she can get a visa to stay in Denmark. Will their relationship remain one only of convenience?
~
Great movie set during the Spanish Civil War. Carol moves from New York to her mother’s village in Spain and meets her relatives for the first time. I really loved Carol’s spunk and her growth in her family relationships. This one taught me a bit of Spanish history as well.
It was very interesting to watch this one after Run, Lola, Run — some similarities but without all the action. Otto and Ana believe in fate and coincidences. Their names are both palindromes (the same forward and backward) and fairly important to the story. One scene in this movie was so amazing — a shot of the midnight sun moving horizontally to the horizon in the arctic circle. Beautiful!
(This movie has some graphic scenes.)
This was kind of depressing but I liked the story. Apartment dwellers living in a factory town trying to make the best of their lives. Home is still home, no matter the circumstances.
(Graphic scenes and language)
Now I have some more Japanese films on my shelves that I want to get to!
aka Nirgendwo in Afrika
“Listen well, my dear, listen well! The sinner, which I am and which you are, is a sinner, but in times to come he will be Brahma again, he will reach the Nirvana, will be Buddha—and now see: these ‘times to come’ are a deception, are only a parable! The sinner is not on his way to become a Buddha, he is not in the process of developing, though our capacity for thinking does not know how else to picture these things. No, within the sinner is now and today already the future Buddha, his future is already all there, you have to worship in him, in you, in everyone the Buddha which is coming into being, the possible, the hidden Buddha. The world, my friend Govinda, is not imperfect, or on a slow path towards perfection: no, it is perfect in every moment, all sin already carries the divine forgiveness in itself, all small children already have the old person in themselves, all infants already have death, all dying people the eternal life. It is not possible for any person to see how far another one has already progressed on his path; in the robber and dice-gambler, the Buddha is waiting; in the Brahman, the robber is waiting. In deep meditation, there is the possibility to put time out of existence, to see all life which was, is, and will be as if it was simultaneous, and there everything is good, everything is perfect, everything is Brahman. Therefore, I see whatever exists as good, death is to me like life, sin like holiness, wisdom like foolishness, everything has to be as it is, everything only requires my consent, only my willingness, my loving agreement, to be good for me, to do nothing but work for my benefit, to be unable to ever harm me. I have experienced on my body and on my soul that I needed sin very much, I needed lust, the desire for possessions, vanity, and needed the most shameful despair, in order to learn how to give up all resistance, in order to learn how to love the world, in order to stop comparing it to some world I wished, I imagined, some kind of perfection I had made up, but to leave it as it is and to love it and to enjoy being a part of it.—These, oh Govinda, are some of the thoughts which have come into my mind.”
Unfortunately, it’s been awhile… I’ve been reading but for some reason am struggling to write any reviews lately. I’ve also been succumbing to a guilty pleasure of mine — foreign films. I’m in love with Netflix instant viewing and can’t get enough of it right now. Also, I’ve had some DVDs on my shelves for awhile that I’ve finally made time for as well. So, up first is what I’ve been reading and hope to finish by January, and then on to some short movie reviews.
Run, Lola, Run
Kinamand 
Carol’s Journey
The Lovers of the Arctic Circle
Something Like Happiness
