Eugene is a mover in New York City whose favorite author is Constance Eakins. While doing a job one day, he runs into a biographer of Eakins who also happens to have a beautiful daughter, Sonia. Everyone else in the world believes Eakins is dead — that he just disappeared in Italy quite a few years back and never showed up again. He’s legally declared dead by the Italian authorities. Sonia’s father, the biographer, demands that it isn’t so — that his daughter speaks to Eakins regularly. But, no one has heard from her after her latest trip to Italy. Eugene decides to look for Sonia.
Meanwhile in a parallel story, an elderly Mr. Schmitz, also a New Yorker, is grieving the loss of his friend Rutherford who has just moved to Italy. He receives lucid letters from Rutherford at first, but then they become more and more incomprehensible. Schmitz also decides to take off for Italy to look for his friend.
This was a bizarre story that was unique enough to keep me reading and wanting to find out more. The book has quite a few fantasy elements too, and that was unexpected, but it certainly added to the story. It’s definitely a different book.
This is Nathaniel Rich’s first novel. It was released on April 17.
The continuation of Maus, and subtitled And Here My Troubles Began (From Mauschwitz to the Catskills and Beyond), Maus II is every bit as outstanding as Maus, and the two books really should be read together. In this book we learn more about the end of Vladek’s life, and one of the questions that is posed from the book is:
“They were survivors, but did they really and truly survive?”
Art’s struggles with his father’s personality — made so because of the war — are clearly shown. He is very honest in his portrayal, even to the point of demonstrating his father’s own prejudices — something you would think would be non-existent in someone who had been persecuted himself.
Brilliant. Powerful. Poignant. Intensely personal. In graphic novel format and the winner of a Pulitzer Prize Special Award in 1992, Maus is Vladek Spiegelman’s story of his survival of Auschwitz during World War II. It is also a story of the father-son relationship between Vladek and Art. In this first book, Art interviews his father about his intense past. Each nationality is represented as a different animal. The Jews are mice, the Germans are cats, and the Poles are pigs. We not only see the absolute horrors of Auschwitz from a survivor’s viewpoint, we also see one survivor’s son deal with the guilt of just being the son of a survivor.
I first heard about this book through Dewey for the graphic novel challenge. Thanks so much, Dewey, for introducing me to this astounding work.
Why not do a ‘twin’ review since I read them relatively close together? I had seen both of these movies before I read the books, and I recently re-watched The Hours because it was available for online viewing through Netflix. I’d like to watch Mrs. Dalloway again as well. The movie of the The Hours follows the book very closely-there are a few minor changes. Nicole Kidman does an outstanding job in this film. I was most interested in the Virginia Woolf storyline, so I was happy she was so well portrayed. It’s funny that Meryl Streep ended up playing Clarissa when she (Meryl Streep) is actually talked about in The Hours (the book). I don’t remember the movie Mrs. Dalloway much at all, hence the reason I wish to re-view it.
Well, on to the books. The Hours won the Pulitzer in 1999. It’s a cleverly told story that intersects the 3 women’s lives very well. However, it does change the story of Mrs. Dalloway into homos*xual relationships. It was interesting to see the twist in the storyline, particularly if you know the real one, but I couldn’t help thinking, “Doesn’t Clarissa (in The Hours) know that her life is too coincidental with the characters’ names from Mrs. Dalloway?” To me, it would have been a better story if Cunningham had left out all the references to the actual book itself. The reader knows that’s what it’s about, so why keep referring to it? It makes The Hours too unbelievable. It’s an interesting book, and I’m glad I read it, but I can’t help having mixed feelings about it.
Mrs. Dalloway. I must be too dense in the literary sense, because I just don’t get this book at all. I had to stop reading it every half hour because it was just too much otherwise. I felt a similar way this year when I read Inheritance of Loss. I just don’t enjoy a book when I have to read it that way. I don’t get into planning parties or the minute details of such. In fact, I avoid that like the plague. I’m not into social scenes, either. In this book, everyone loves Clarissa, but isn’t she the most shallow character in it? I don’t get it. I would like to re-read it again in a few years to see if I feel any differently. At least I feel more enlightened that I have finally read Woolf. I’d actually like to read more about her than by her.
For The Hours: 1998, 226 pp.
Rating: 3.5
Pulitzer, 1999
Mr. Ives’ Christmas by Oscar Hijuelos was a Pulitzer finalist in 1996. Hijuelos had also previously won the Pulitzer in 1990 for The Mambo Kings Play Songs of Love.
Mr. Ives seems to have almost the perfect life. He has a successful career and a happy family. He helps with community projects and events for his church. He is a man of faith. Then his son is shot and killed on Chrismas Eve coming home from choir practice. The son, Robert, was only 17 and wanted to be a priest. From this tragic event, Edward Ives struggles with his faith and the meaning of existence. He questions his once firm ideals. He grieves. He grieves for a very long time.
I don’t know if ‘enjoyed’ is proper in this case, so I will say I really appreciated this book, but it is not for everyone. It is definitely not a warm and cozy Christmas story, but it is one that seeks answers to the hard questions in life. If you’ve ever wondered why God allows bad things to happen, you might like this book. It really doesn’t even come away at the end with many very solid answers, but it does show one man’s journey through faith, hardship, and loss in a sensitive and thought-provoking manner.
This was Canadian author Marie-Claire Blais’s first book. It was published in 1959 and translated from the French by Daphne Marlatt in 1960. Blais was a winner of the French language Governor General’s award in 1996 for Soifs.
Apparently this was made into a film last year with its French title, La Belle Bête. I wish they would have kept this title, The Beautiful Beast, for the English version of the book rather than using Mad Shadows. The Beautiful Beast is much more fitting.
She thought of the approaching marriage of this pair of dolls, a male doll and a female doll. She would have to live in the midst of this depravity-the artificial depravity of faces in the movies. How sad, she thought, they have no souls.
This is a story of a very dysfunctional family. Louise is a beautiful, but aging mother who is trying her best to hold on to her beauty. Aside from the usual ways, she also does this by nearly worshipping her son Patrice, who is beautiful but retarded. She sees her own beauty in him and thus is blind to his mental condition. In contrast to her extreme over-affection for her son is her disdain for her daughter Isabelle-Marie. She is not loved by her mother simply because she is not beautiful. This sets up a series of events that is catastrophic for the family.
To be frank, I read this book because it was short (130 pages), and I could use it for the Canadian Challenge. While not ‘enjoyable’ because of the subject matter, it was thought-provoking, and I’m very glad I did read it. I would recommend it to anyone, not just those participating in the Canadian Challenge.
"Do not labor for the food that perishes, but for the food that endures to eternal life, which the Son of Man will give to you. For on him God the Father has set his seal." (John 6:27, ESV)
Eugene is a mover in New York City whose favorite author is Constance Eakins. While doing a job one day, he runs into a biographer of Eakins who also happens to have a beautiful daughter, Sonia. Everyone else in the world believes Eakins is dead — that he just disappeared in Italy quite a few years back and never showed up again. He’s legally declared dead by the Italian authorities. Sonia’s father, the biographer, demands that it isn’t so — that his daughter speaks to Eakins regularly. But, no one has heard from her after her latest trip to Italy. Eugene decides to look for Sonia.
The continuation of Maus, and subtitled And Here My Troubles Began (From Mauschwitz to the Catskills and Beyond), Maus II is every bit as outstanding as Maus, and the two books really should be read together. In this book we learn more about the end of Vladek’s life, and one of the questions that is posed from the book is:
Brilliant. Powerful. Poignant. Intensely personal. In graphic novel format and the winner of a Pulitzer Prize Special Award in 1992, Maus is Vladek Spiegelman’s story of his survival of Auschwitz during World War II. It is also a story of the father-son relationship between Vladek and Art. In this first book, Art interviews his father about his intense past. Each nationality is represented as a different animal. The Jews are mice, the Germans are cats, and the Poles are pigs. We not only see the absolute horrors of Auschwitz from a survivor’s viewpoint, we also see one survivor’s son deal with the guilt of just being the son of a survivor.
Mr. Ives’ Christmas by Oscar Hijuelos was a Pulitzer finalist in 1996. Hijuelos had also previously won the Pulitzer in 1990 for The Mambo Kings Play Songs of Love.
This was Canadian author Marie-Claire Blais’s first book. It was published in 1959 and translated from the French by Daphne Marlatt in 1960. Blais was a winner of the French language Governor General’s award in 1996 for Soifs.
