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Books so far:
How I Live Now by Meg Rosoff won the Printz Award and was shortlisted for the Orange Prize for New Writers. I really enjoy ‘end of the world as we know it’ books and this was no exception. However, I did take exception with Daisy’s relationship with her cousin Edmond. Although relationships between cousins used to be acceptable, it just isn’t today. At least by my standards. Daisy’s father has remarried and she is shipped off to England to stay with her cousins. When her Aunt Penn is away on business, war breaks out and the children are left to fend for themselves, and they survive for awhile admirably. As the war goes on, though, it becomes increasingly difficult for the family to stay together and find the supplies they need. The goal of survival begins to take its toll. I did enjoy this story, except for the situation noted above. I normally don’t like books written in a run-on, free-form style as this one was, but as it was narrated by a teenager, it didn’t bother me as much as it usually does. I really empathized with Daisy and her situation, and I admired how she was able to see one of her problems in a new light toward the end of the book. But why did they have to be cousins? The answer isn’t ‘because of the war’ as they began their relationship before it started. I just wish it could have been a friend of the cousins instead. 2004, 194 pp.
And even if an act could be forgiven, no one could bear the responsibility of forgiveness on behalf of the dead. No act of violence is ever resolved. When the one who can forgive can no longer speak, there is only silence. Fugitive Pieces is a must read for those interested in Jewish fiction or the history of World War II. The book is told in two parts. In the first we have Jakob Beer, rescued as a child from the forces of WWII by a Greek scholar. He struggles mightily with the memories of his parents and sister. They haunt him throughout his life, overshadowing even the good. In the second, we have Ben, the son of two Holocaust survivors. He is much influenced by Jakob’s poetry, which helps him understand his parents’ deep emotional pain, and, in turn, his own. In this regard, I found the second section a bit reminiscent of Maus. In both parts, there is always the question of whether or not the survivors really and truly survived or if they are hopelessly caught in their pasts. I have a difficult time reading anything about the Holocaust, even if it deals primarily about the aftermath of the survivors. But, I feel it is extremely important for me to do so. I highly recommend this book if you have a similar interest in this topic. 1996, 294 pp. I’ve only read one, A Mercy by Toni Morrison. Have you read any, and can you recommend them? Starred titles are those I’m most interested in reading. Orange Prize for Fiction 2009 (official website)
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