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Masterpiece  Excellent  Very good  Good  Just okay  Not for me  Definitely not for me  |
2005, 652 pp.
I’m writing this review after completing all seven books, and I think this is where the series started to break down for me. I didn’t mind that the story was getting darker, but the death at the end just seemed senseless. 2003, 896 pp.
I really liked this one, especially Dobby. He’s such a great character — it’s a shame he had to be left out of the movie. I loved those parts! Snuffles? Next up is Order of the Phoenix. That one was my favorite movie, so I’m really looking forward to finding out all the details in the book. Hugo Award, 2001
As I’ve read/listened to all the Harry Potters so far, I’m really struck by J.K. Rowling’s naming ability. Quality Quidditch Supplies. The Marauder’s Map. The Shrieking Shack. Dumbledore, Snape, and McGonagall. I love the names she gives things and people. I was really interested in the detail not in the movie about the Marauder’s Map and the Shrieking Shack. Of course, they can’t include everything, so it’s great to know the background of these aspects of the story. I really love Jim Dale’s narration in the CD’s, but if I have one criticism, it’s this: He makes Hermione way too whiny. I don’t like how he portrays her at all. “Harreeeeeeeeeeeee” Ugh. Otherwise, he’s perfect. I’m looking forward to the other books.
Meanwhile in a parallel story, an elderly Mr. Schmitz, also a New Yorker, is grieving the loss of his friend Rutherford who has just moved to Italy. He receives lucid letters from Rutherford at first, but then they become more and more incomprehensible. Schmitz also decides to take off for Italy to look for his friend. This was a bizarre story that was unique enough to keep me reading and wanting to find out more. The book has quite a few fantasy elements too, and that was unexpected, but it certainly added to the story. It’s definitely a different book. This is Nathaniel Rich’s first novel. It was released on April 17. 2008, 310 pp.
It was extremely fascinating reading this book after having read We by Yevgeny Zamyatin and The Giver by Lois Lowry last year, both of which were in my 2007 Top 10. Anthem definitely borrows from We, and The Giver most definitely borrows from Anthem. In Rand’s book, the main character even refers to himself as ‘We’ because in his society individuality is highly suppressed, and the goal is for it to be eliminated. Everything must be done for the brothers in the collective and nothing for the individual. While I agree with Rand’s philosophy to a point, I believe she takes it just a bit too far. I very much enjoyed this book, but at the end it just felt too preachy to be rated the same as We and The Giver, which both received 4.5 stars.
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I was shocked at the ending and thought it was another senseless death until I read Deathly Hallows. I never believed, though, that the ‘murderer’ was a death eater. I kept my hopes up that the person in question wasn’t really dead — just like I did with the murdered one in Order of the Phoenix. Alas, it was not to be…
I listened to part of this on an 11 hour road trip, and it was a great way to spend the time. I actually didn’t mind the length of the book, but I did mind the death in the end. It just didn’t seem right to me. I wasn’t ready for that character to leave the scene just yet. Another thing I didn’t care for was Sirius’ whinyness. It really started getting on my nerves. I envisioned him as a noble character, not an overly whiny one.
Which cover do you prefer? I strongly prefer the UK version (the one on the left) as the US version doesn’t seem to fit the outcome of the story now, does it?
Another Harry Potter crossed off the list! I enjoyed this on CD as I took a couple of trips last week. I had already listened to about 1/3 of it earlier in the year, but the trip was a perfect time to complete it.
Eugene is a mover in New York City whose favorite author is Constance Eakins. While doing a job one day, he runs into a biographer of Eakins who also happens to have a beautiful daughter, Sonia. Everyone else in the world believes Eakins is dead — that he just disappeared in Italy quite a few years back and never showed up again. He’s legally declared dead by the Italian authorities. Sonia’s father, the biographer, demands that it isn’t so — that his daughter speaks to Eakins regularly. But, no one has heard from her after her latest trip to Italy. Eugene decides to look for Sonia.
1938, 105 pp 