I liked The Reader more than I thought I would considering one of the themes. I didn’t know about the p*doph*lia aspect of it until the movie came out. I’ve wanted to read this book for awhile because it’s German, and I’ve also looked forward to the movie because I love Kate Winslet. I saw an online interview with Winslet in which she questioned whether or not the age of 15 was really still p*doph*lia. And while I agree that the age of 10 is in a different category than the age of 15 when it comes to s*x*ality, I still believe what Hanna did with Michael was wrong, and I believe that both the author and the narrator of the book do as well.
Of course, Hanna’s wrongs and shortcomings go far beyond her relationship with Michael, and those themes are of extreme interest as well. This would be a great discussion book, and I can definitely see why it would be great for book clubs. Have you seen the movie? If so, what did you think?
1995, 1997 for the English translation; 224 pages
4/5
I finished Draculaon audio this week and loved it. Now my sons and husband are listening to it as well. The unabridged edition, of course. It is creepy and scary, and I normally don’t like creepy and scary, but Bram Stoker’s novel is so well done and, obviously, the beginning of it all. I’m thinking of getting this annotated edition at left that comes out on October 13. It even has an introduction by Neil Gaiman. I’ll probably use this edition for a future re-read.
We started to watch the movie starring Gary Oldman, but it wasn’t appropriate for kids (my kids at least) so we quit. I still may watch it at a later date. I would love to see a modern version that was faithful to the book.
Something that surprised and pleased me while reading the book was the strong Christian faith of some of the characters. I didn’t expect that at all, and I do wonder about Stoker’s own beliefs. He was rumored to have been part of a secret, magical order that included the occultist Aleister Crowley.
Also, I read on Publisher’s Weekly that Bram Stoker’s great-grandnephew Dacre Stoker and Dracula documentarian and historian Ian Holt are going to be writing Dracula: the Undead. The publisher will be Dutton, and it is scheduled to be released in October, 2009.
In this short memoir chronicling the author’s own bout with depression, Styron gives us a glimpse of the pain and madness of the disease. Styron not only provides us with details of his own illness, but also expounds on the suicides and/or depression of other authors. He also gives guidelines and suggestions for action to those who have a loved one suffering with the disease.
Styron was the author of Sophie’s Choice and the Pulitzer Prize winning The Confessions of Nat Turner. He died in 2006 at the age of 81 from pneumonia.
Absolutely wonderful. I cannot recommend this highly enough. I also couldn’t tell you what it’s about better than the official website:
ORPHAN, CLOCK KEEPER, AND THIEF, twelve-year-old Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric girl and the owner of a small toy booth in the train station, Hugo’s undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key, a mechanical man, and a hidden message all come together…in The Invention of Hugo Cabret.
This 526-page book is told in both words and pictures. The Invention of Hugo Cabret is not exactly a novel, and it’s not quite a picture book, and it’s not really a graphic novel, or a flip book, or a movie, but a combination of all these things. Each picture (there are nearly three hundred pages of pictures!) takes up an entire double page spread, and the story moves forward because you turn the pages to see the next moment unfold in front of you.
This is being made into a movie by Johnny Depp’s production company. I can’t wait to see it.
The continuation of Maus, and subtitled And Here My Troubles Began (From Mauschwitz to the Catskills and Beyond), Maus II is every bit as outstanding as Maus, and the two books really should be read together. In this book we learn more about the end of Vladek’s life, and one of the questions that is posed from the book is:
“They were survivors, but did they really and truly survive?”
Art’s struggles with his father’s personality — made so because of the war — are clearly shown. He is very honest in his portrayal, even to the point of demonstrating his father’s own prejudices — something you would think would be non-existent in someone who had been persecuted himself.
Brilliant. Powerful. Poignant. Intensely personal. In graphic novel format and the winner of a Pulitzer Prize Special Award in 1992, Maus is Vladek Spiegelman’s story of his survival of Auschwitz during World War II. It is also a story of the father-son relationship between Vladek and Art. In this first book, Art interviews his father about his intense past. Each nationality is represented as a different animal. The Jews are mice, the Germans are cats, and the Poles are pigs. We not only see the absolute horrors of Auschwitz from a survivor’s viewpoint, we also see one survivor’s son deal with the guilt of just being the son of a survivor.
I first heard about this book through Dewey for the graphic novel challenge. Thanks so much, Dewey, for introducing me to this astounding work.
"Do not labor for the food that perishes, but for the food that endures to eternal life, which the Son of Man will give to you. For on him God the Father has set his seal." (John 6:27, ESV)