Masterpiece
*****
Excellent
**** 1/2
Very good
****
Good
**** 1/2
Just okay
***
Not for me
**
Definitely not for me
*

The Girl Who Kicked the Hornet’s Nest (Friday Foreign Film Review)

girlwhokickedI’ve only read the first book in this trilogy, but I’ve seen all three of the films. I love foreign films, and I don’t know why more Americans don’t watch them.  Especially in the case of book adaptations, you get such a better feel for the atmosphere of the story when the film is done by the country of origin. I can’t imagine the American versions of this trilogy being anywhere nearly as well done as the Swedish ones.

In my last book review, Crooked Letter Crooked Letter, I stated how I don’t like gritty novels. The same is true for films, and these films are pretty gritty (with the first movie probably being the worst). However, since I read the first book of the trilogy, I really wanted to see how the story played out. I saw the first two films, The Girl with the Dragon Tattoo and The Girl Who Played with Fire, in the theater. I really wanted to see the third installment in the theater as well, but I ended up missing it. So, last night I saw it on Netflix instant view.

I mostly loved the ‘Swedishness’ of the film. I loved seeing Swedish cities, Swedish apartments, Swedish offices and hospitals, and especially the Swedish people. I really just enjoy learning about different cultures and nations. If you’re a fan of the books, I definitely encourage you to see the original films before you see the American versions. As far as the story itself, I thought this was a satisfying way to end the trilogy, but there was still some open-endedness to it. I can’t help but wonder if Stieg Larsson had another book planned in the series. I’ll definitely keep thinking of the characters, especially Mikael and Lisbeth, for awhile.

Grade: B+

The Unit by Ninni Holmqvist

unit

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“Those Impressionists,” she said, “they certainly knew about color. And about light and shade. Different kinds of shade: thinner shadows that let the light through, and heavier, denser ones. And it’s as if Monet made this garden to show the world how he saw colors. How he saw their power, their potential, and their purpose. I think he wanted to show that the world is color. That life itself is color. That if we can just see the colors, really see them, life will be beautiful. And meaningful. Because beauty has a value of its own, that”s how I see it anyway.” – p. 37

“People who read books,’ he went on, “tend to be dispensable. Extremely.” – p. 48

Useful or dispensable? A life of choice or no choice? And what if your own choices led you to have to give of your own body to the ‘needed’ until your ‘final donation’?

I love dystopian fiction, and this book was no exception. It reminded me quite a bit of Never Let Me Go by Kazuo Ishiguro, so if you enjoyed that book, you’ll probably like this one as well. Reading books like this is always a reminder of the ways society could go horribly wrong, and sadly, I wouldn’t be surprised if parts of the book actually do come to pass someday.

Dorrit, age 50, has reached an age where she is now considered dispensable because she has no children or parents to take care of and because she is a writer, which is considered an unessential occupation. The dispensables in The Unit are provided for in every way, a nice apartment, exercise facilities, and entertainment venues, etc. Except that they are monitored 24/7, and of course, they may never leave The Unit. Dorrit makes great friends here, and in some ways her life is better than when she was on the outside, but, obviously, her life and her body are not her own. She is essentially a commodity of the State.

The book raises some excellent ethical questions. Is a person’s life itself precious and valuable, or is it only what they can contribute to society that is deemed worthwhile? My view will always be the former.

How obtained: I checked this book out from my local library.

2006 (Swedish), 2009 for the English translation; 268 pp.
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