Avi’s Newbery-winning book of an orphan boy known at first only as ‘Asta’s son’ is a familiar one, but it is also entertaining. When his mother dies, ‘Asta’s son’ soon finds himself on the run and is forced to flee the only town and home he has ever known. Leaving with only the clothes on his back and his mother’s lead cross, he does find some people who are willing to help him, but are they truly friendly, or do they only want to find out who he really is and why he’s being tracked?
This book contained adventure, mystery, and history, and I really enjoyed it. Both of my sons read the book a few years ago, and I know they really liked it as well.
Chimamanda Ngozi Adichie has really impressed me with her writing abilities. Purple Hibiscus was Adichie’s first novel. I read her second book, Half of a Yellow Sun, last year and it was in my Top 20 for 2007. Although some have stated that Purple Hibiscus was not as good as Half of a Yellow Sun, I disagree. I think it was just as well-written, and in fact I may prefer it.
Kambili and her family are of the wealthy upper class in Nigeria. Her father owns several factories and is a major benefactor of his local church. Kambili is a very compliant child, always wanting to please her parents, while her brother Jaja is much more independent. Their father is very strict regarding his household in every detail. He puts both of them on a schedule everyday and they must not deviate from it. He insists on each child being first in their respective classes.
I felt so much for Kambili. In the beginning she truly looks up to her father and wants to please him. She believes he is perfect. As the story progresses, she sees more and more of his faults and begins to have more questions about his discipline. Kambili’s mother also suffers from his excessive demands. Any missteps he considers as sins to be physically removed from those committing them. Adichie doesn’t totally set him up as a monster, though; somehow she manages to make the reader sympathize (a little) with him as well.
Purple Hibiscus is not just a story of domestic abuse. It is also about the past political conflicts in Nigeria, about how Christianity has affected the region, and also about the strong bonds among family members. Adichie truly is following in Achebe’s footsteps as one of Nigeria’s greatest writers.
Highly recommended.
2003, 307 pp.
Rating: 4.5/5
2005 Commonwealth Writers’ Prize – Best First Book
Hmmm, well, I happened to get this book from the library on the Saturday before the Booker Prize was announced “just in case.” When The White Tiger was revealed as the winner, I was really surprised. Not only did it have the longest odds to win, but I had recently read The Secret Scripture and not-so-secretly hoped it would win. In fact, the committee admitted these two were the main contenders and that the decision was not unanimous.
To be honest, I kind of groaned when I heard Adiga’s book was the winner. I don’t have a love affair at all with the Booker prize winners that I’ve read, so I was a little skeptical that I would enjoy this one. But, being the trooper that I am, I thought I’d give it at least 40 or so pages to see if it could capture my interest.
Surprise, surprise; it did. Not only is it a scathing indictment against India’s treatment of its poorest citizens, it also manages to be a clever black comedy. This is exactly what the prize committee chairman revealed as the reason behind its decision. So which book did I like better, The White Tiger or The Secret Scripture? It’s really comparing apples to oranges. They’re just not the same type of book at all. They both are worthy social commentaries on the authors’ home countries, but just written in a totally different style. While Sebastian Barry’s prose is lyrical, Adiga’s is biting (and comical). They both work spectacularly, just in different ways. I can definitely see why the committee had a difficult decision on its hands, and either one would have been a winner in my book.
How does it fare against the other Booker Prize winners? Well, I definitely enjoyed it more than some of the other winners I’ve read, including:
I love Margaret Atwood, but Oryx and Crake was just too gritty for my taste. This was compounded by the fact that I listened to it on audio. Hearing the graphic descriptions was even worse than reading it. This was my fifth Atwood, and by far my least favorite.
The narrator is Jimmy, code-named Snowman. Crake is a sort of Dr. Moreau figure, while Oryx is a woman caught between the two. I don’t want to give away too many details for those who still want to read it, but if you’re squeamish about graphic s*xu*l situations (including child p*r*o*raphy), I would advise against it. I didn’t get why it had to have that element to the story. I also wondered why the title of the book was named that way, but in the end, I guess it was because Oryx and Crake were the two most influential figures in Jimmy’s life.
I would recommend reading other Atwoods before this one. The Handmaid’s Tale,Cat’s Eye, and The Penelopiad are my favorites so far.
I love mythology in general, and The Odyssey in particular, so I was hoping to love this book. I did. Margaret Atwood’s retelling of the famous myth from Penelope’s point of view is brilliant and quite humorous. As she tells the story from Hades, we get Penelope’s take on her father, Odysseus, Telemachus, and Helen among others. You probably have to know the story of The Odyssey fairly well to really get the full impact, though. If you’re familiar with the original myth, you must read this re-telling.
This was my fourth Atwood, and I’m looking forward to reading even more of her work during the second Canadian Book Challenge.
“Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the center cannot hold;
Mere anarchy is loosed upon the world.”
Okonkwo commands respect from his community, his three wives, and his children through both hard work and intimidation. He rises to prominence despite and perhaps due to his father’s laziness in community and family matters. He stands firm to his culture and traditions. So he is outraged when some of his people start converting to Christianity. A power struggle ensues and ‘things fall apart.’
I’m intrigued by Achebe’s history and background. I’d like to read the sequel to this book, No Longer at Ease, at some point.
Arthur: How can you tell a cannibal? Vivi: Well, they’re the only ones left, silly. Arthur: No, before they’ve eaten the others. Vivi:Oh, that. They’ve just got a look about them.
I received this arc from the Barnes and Noble First Look Book Club. It is so wonderful to be a part of this program because the authors are also on the message boards and will answer questions from readers. I can’t tell you how much I enjoyed reading Poppy Adams’ responses to the questions posed. I will definitely be reading more of her work when it comes out. The Sister is her first novel.
Originally titled The Time of Emergence, and called The Behaviour of Moths in the UK, The Sister is a book where, after reaching the end, the reader may be left with more questions unanswered than answered. There are multiple interpretations that could be made about several different occurrences in the book. For me, that’s what makes this story so fascinating. I know that may be more of a frustration to some, though.
Vivien (Vivi) and Virginia (Ginny) are two sisters who grew up in a countryside mansion with lepidopterist ancestors. Their maternal grandfather and father were both lepidopterists, and Ginny becomes a lepidopterist. What is a lepidopterist? It’s a person who studies moths and butterflies. There is much discussion of the behavior of moths in this book, but it is an essential aspect of the story. While reading and after finishing the book, I realized many parallels between the behavior of moths and the behavior of the characters in the novel. This is a book I’ll probably re-read at some point to catch all the connections between the two.
Vivi and Ginny have been separated for decades, and the reasons why become apparent as the story unfolds. Very different from each other, Vivi is outgoing and leaves home for London at a young age, while Ginny is an introvert and a homebody. In fact, as the novel opens, we get the sense that Ginny hasn’t left her home for many, many years. Vivien decides to come back to the house, stating to Ginny that as sisters, they should spend their old age together. The entire novel only takes place over a few days, but as each day unfolds, we are also given glimpses from the past and why they have been separated for so long. All of this is told from Ginny’s perspective, though, and as Ginny and Vivi discuss their history together, they both realize that they saw their childhood in distinctly different ways. These differences are crucial to figuring out what is going on in the story.
What is going on in the story? I don’t want to tell you much, because it has a really good, creepy, gothic, Hitchcock feel to it that is better left to finding out by reading the story. If you don’t mind not having everything wrapped up in the end, and if you like having multiple interpretations of a storyline, you’ll love this book. I really enjoyed it, and the more I think about it, the more I love it.
I loved this book, perhaps even more than The Handmaid’s Tale, which I also rated 4.5. Whereas The Handmaid’s Tale was mostly a cautionary tale about men’s subjugation of women, Cat’s Eye is about girls subjugating and intimidating other girls. Elaine Risley as an adult is a successful artist, but as a little girl she was bullied by her friends and their ringleader, Cordelia. What makes little girls (and big ones!) do this, and why do the ones being tormented let them do it?
In an interview in the back of the book, Atwood states this is her most autobiographical novel, and she states the theme of the book as follows:
Cat’s Eye is about how girlhood traumas continue into adult life. Girls have a culture marked by secrets and shifting alliances, and these can cause a lot of distress. The girl who was your friend yesterday is not your friend today, but you don’t know why. These childhood power struggles color friendships between women. I’ve asked women if they fear criticism more from men or from other women. The overwhelming answer was: “From women.”
In typical Atwood fashion, there were also themes concerning male-female relationships. In one painting of Elaine’s, called Falling Women, she describes what was meant in the artwork:
There were no men in this painting, but it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn’t have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps and if you slipped you’d fall and cut yourself, but it was no use blaming the rocks.
That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one’s will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen.
Definitely one to read if you’ve enjoyed other Atwood novels.
Sitting Practice by Caroline Adderson tells the story of Ross and Iliana, a newlywed couple, and how they deal with the aftermath of a car accident that leaves Iliana paralyzed. Ross is a film caterer who has had multiple ex-girlfriends, but he is absolutely in love with Iliana at the time of their marriage, much to the chagrin of his twin, Bonnie. Ross is also ‘in love’ with Bonnie’s son, Bryce, and very much longs to be a father. He and Bonnie of course share a bond that only twins can experience. In contrast, Iliana grew up in a very strict household, and Ross was her first real boyfriend. She meets Ross for the first time as a nurse assigned to him after a minor operation.
After the accident, the marriage changes, as do Ross and Iliana. Ross struggles with wanting ‘the real’ Iliana back, while Iliana struggles with desiring independence from others. They do adapt, but not without repercussions.
Themes of love, guilt, forgiveness, religion, and the bonds between twins form the novel. I felt for all the characters in the book as they wrestled with the surprises life brings. I truly cared for them. However, I don’t care for bad language and s*x in the books I read. It would have been just as good (or better) without those elements. On sale in the U.S. on March 11.
This book by Lloyd Alexander is the last book in a series of books starring Vesper Holly, an Indiana Jones type adventurer in female form. I read this book to fulfill my ‘X’ title requirement and to celebrate Children’s Book Week.
Vesper, along with boyfriend ‘The Weed’ and mentor Brinnie and his wife Mary, go off in search of the ancient city of Troy. The action takes place just as Schliemann is discovering the ancient site, but the group is thwarted when they are taken to a different site believed to be Troy by Dr. Dionescu. An old nemesis turns up to further delay their plans.
The title of the book is taken from the poem by Samuel Taylor Coleridge, “Kubla Khan.”
In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
I haven’t read the previous books in this series at all, but I suspect this one very nicely wraps it up for the fans. I was particularly impressed with the history interwoven into the story as well as the vocabulary used.
Lloyd Alexander is best known for his The Chronicles of Prydain, a series that my own sons both loved. Mr. Alexander died earlier this year at the age of 83.
“[A psalm of David.] The LORD is my shepherd, I shall not be in want. He makes me lie down in green pastures, he leads me beside quiet waters, he restores my soul. He guides me in paths of righteousness for his name's sake.”